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Monday, October 12, 2026
Honest Column

Film Analysis: Sleaford Mods' Jason Williamson Takes On Role in Sceptical Examination at Ecstasy Generation Era

The work of Bristol sound co-founder the musician-producer, this sharp-edged though slight debut feature casts a critical gaze on 90s rave culture. Self-serving drug user David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to burgle his own parents. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Darkly Funny Duel

The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into flashbacks of his normal activities. The bigger point – that the ecstasy generation were mainly focused on number one – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, fuming after David strangles his dog. Still, a darkly funny duel unfolds – David eager to get away; the Poacher withholding his jerrycan of cider, determined to soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.

Visual Flair and Music Video Sensibility

There is only one key story turn, but it leads to a hilariously staged chaotic run on the woodland paths that dips close to rural terror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the early stages, he now lets rip with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

The film is in British and Irish theaters from November 17.

Written by

Stuart Marshall

A seasoned journalist with over 15 years of experience covering politics and social issues, known for his balanced and evidence-based reporting.

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